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Corti Brothers
Newsletter for March 2004 Page
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THE BRADY BOOK
THE BRADY BOOK is the American equivalent of George Saintsbury’s
Notes on a Cellarbook. There, I’ve said it. Roy Brady (1918-1998) was
an old friend who was probably the most literate, knowledgeable, and committed
wine person I have ever known. THE BRADY BOOK is not one of Roy’s works,
but a compilation of his unpublished writings on wine, edited by Professor
Thomas Pinney, an author in his own right of A History of Wine in America
and the soon to be published second volume dealing with Prohibition to the
present..
Roy did not make wine. He tried selling it for a while,
taught about wine in Los Angeles, edited a wine magazine, and was a wine
columnist. He had very particular notions about wine, learned about wine
when there was not much information around and got to know wines in the most
civilized way possible. He drank them. He was also a great bibliophile, collecting
in a very short time a remarkable library which he then turned over to California
State University, Fresno. His enormous collection of wine labels (50,000
of them, annotated), wine merchants’ lists, menus, and ephemera are
now all in the Special Collections of Shields Library, UC, Davis.
Much like Saintsbury, Brady was an amateur the best sense
of the word, interested in both the history of wine and the way it tasted.
He began his life with wine in the late 1940s and his writings from that
and later periods describe California wine and its producers exactly. This
work is a remarkable collection of short essays and longer ones.
THE BRADY BOOK is possibly even more important for Americans
than Notes on a Cellarbook since Roy describes the California wines he bought
and drank over an almost 50 year period, their special characteristics, and
those of most of their producers. For example: In a tasting note from his
first notebook, after tasting a Wente Valle de Oro Moselle (5 May 1948) he
writes, “It is astonishing how exquisite a drink can be. Wine drinking
is truly an art. Surely a great wine can afford that same deep enjoyment
that any work of art can–those profound yet vague and elusive stirrings
within the soul.” Or this, circa 1960, on the wine lover. “Two
things mark him: he has a boundless curiosity about wine and he has a deep
respect for good wine. He enjoys a wine more for knowing something about
it, but he tries not to confuse knowledge with wine. He is always trying
to learn more and to taste more. As much as he may love old wines, every
new vintage is as fresh a delight as every new springtime...Every honest
wine, however humble, gets his respect.”
Other essays, long and short are: The folly of collecting
wine (1981), California’s new little wineries (1966) ( with a wonderful
history about what was what and who was who at that time.) Meeting André Tchelistcheff
and Louis M. Martini in 1951 in the Napa Valley; an essay on Martin Ray (1976-1983)
that begins “Martin Ray was a crook, or, better, a con artist....He
was also, at his best, a great winemaker.”
If you want to have a great source book on California wine
and classic European wine notes, all in a superb writing style, you should
own this book. It is a mirror of time in wine. What is amazing is that all
of this started in the 1940s, not all that long ago, but in wine time, it
was a formative period which really has not been much thought of, because
it is still too close to home.
Only 250 hand-numbered copies of this limited edition have
been printed. It is in two-color format, bound in gilt stamped cloth with
24 illustrations, including 13 tipped in color reproductions of wine labels
from the Brady collection. Published by the Nomis Press for the benefit of
the Wine Librarians Association, a non profit organization dedicated to preserving
the history of wine. All monies go to this purpose.
From THE BRADY BOOK: “The only thing a wine lover
likes being called less than a connoisseur is a gourmet, but the difference
is not important. Either word turns his stomach. Between the advertisers
of cheap drink and witless drinkers both words have been ground down to empty
platitudes” Perils of a wine expert in 1960 (1960)
Sold out.
YARRA VALLEY SALMON CAVIAR
Australia’s Yarra Valley is famous for wine, but who
would have thought caviar! Yet, a truly delicious caviar is produced there,
and now you can have it from Corti Brothers. Yarra Valley Salmon Caviar is
outstanding and uniquely produced. This is not your normal salmon caviar!
Yarra Valley Salmon Caviar is produced from Atlantic salmon
(Salmo salar), raised in the fast running, pristine waters of the Rubicon
River at the foot of the Victorian Alps, north of Melbourne. Atlantic salmon,
like most salmonids, is an anadromous fish, meaning that it is born in fresh
water, lives in salt water, and returns to fresh water to spawn. The Yarra
Valley Salmon company has developed unique farming techniques to raise these
salmon throughout their whole life in fresh water. No chemicals, antibiotics,
or preservatives (other than salt) are ever used at any stage of production
either in raising the fish or processing the caviar.
The important part of the production technology is not killing
the fish to remove the roe. The gravid female salmon are milked by being
gently squeezed; their roe is caught as if the fish were naturally ovulating.
The fish are then returned to their fresh water runs to produce more eggs
for future milking. Only when the fish become physically too large to milk,
do they become table salmon. It takes three years for Atlantic salmon to
mature sexually so that they can be milked.
When the salmon is milked, the roe berries come out singly,
obviating the necessity of sieving the roe as is done with roe sack from
fish caught in the wild and killed. The berries are then salted with flossy
sea salt at 3.3%. At this level of salt, Yarra Valley Salmon Caviar is “malasol,” little
salted. The berry size is about 6mm, with a shiny, light yellowish orange
color and a darker orange”eye.” The texture is firm, but not
tough as are other salmon caviars. The berry will “pop” in the
mouth, but not have the tough skin normally found in salmon caviar. This “pop” is
also the sign of fine sturgeon caviar. The silky, delicate texture of Yarra
Valley Salmon caviar is probably due to its fresh water, rather than salt
water, origin.
Yarra Valley Salmon Caviar can be used in all the traditional
serving methods. It is also delicious on thin egg pasta such as Spinosi maccheroncini,
dressed with a simple sauce of thick cream reduced with a bit of sweet butter,
without cheese. As a garnish on fish mousse, in cooked small potatoes, with
yeasted blini, or smoked fish such as sturgeon or salmon, the very pretty
color, delicate flavor, and special texture of Yarra Valley Salmon Caviar
allow you to experience the best of the most modern caviar production.
Yarra Valley Salmon Caviar is shipped frozen to us; we ship
it frozen to our customers. It thaws rapidly, and 6-8 hours in the refrigerator
will give you caviar in its best condition. It will keep at least 21 days
in the refrigerator once opened. Salmon caviar is virtually unharmed by freezing,
a treatment that ruins sturgeon caviar. Shipment must be via UPS Next Day
Air or Two Day Air with gel packs. Shipping charges will vary.
YARRA VALLEY SALMON CAVIAR 100 gram jars or
300 gram jars
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